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LAST UPDATED: 24 Oct, 2022
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Appropriate settings depend a lot on the tonality of the kick drum , and moreso the pattern of the bassline. If I’m trying to come up with initial settings for the compressor , I tend to think about it analytically, along the lines of the following. ..
https://chromaticsabatic.wordpress.com/2016/12/15/sidechain-compression-on-basslines/This is an absolute staple for me when mixing things like vocals, drums , bass , and especially using parallel compression . The 1176 is a little bit tricky to fully grasp at first because of the backwards knob settings . Whereas on most compressors 1 would be the fastest and 7 would be the slowest (in relation to attack and release times), it’s
https://www.mixbetternow.com/mix-101-how-to-use-an-1176-compressor/Compression : With claps, same as with kicks, snares and other drums , we set the attack time of the compressor to occur right after the attack time of the clap to enhance the punch of the sound.This is often somewhere between 6 and 20 milliseconds. The release time can be short, somewhere between 20 and 100 milliseconds often sounds great.
https://heroic.academy/how-to-mix-music-part-4-mixing-drums-mixing-bass/(Audio compression) Using A Limiter On Bass How To Get An Even SoundPuremix Mentor Andrew Scheps shows us how to get an even bass sound using a limiter. A
https://www.youtube.com/watch?v=tdhFebdwLLAWe’re already doing that on our drum bus. Just use your regular compression settings here. Snare Reverb. Finally, add a little reverb to your snare. If you’re using a room reverb for your entire mix, then send a little of your snare there. I’ll usually turn up the level of the snare until I think it sounds good, then back it off a bit.
https://www.musicianonamission.com/mixing-drums/Compressor settings for kick and bass guitar Discussion in 'Live Sound [BG]' started by Medford Bassman, Oct 30, 2011. Oct 30, 2011 #1. Medford Bassman i'd put the other side of the comp on something way more important than the kick drum or the bass (sorry), namely the vocals.
https://www.talkbass.com/threads/compressor-settings-for-kick-and-bass-guitar.821594/This is a setting the gives a bit of edge but doesn’t drive the drums too hard. Note how the attitude of the drums starts to change, and the hi-hats become crunchier. This is something you have to be careful of on drums , when you push the 1176 hard. It will grab a lot of the high end and drive it hard. But that’s also the charm of it:
https://ask.audio/articles/adding-attitude-to-drums-using-1176-classic-compressorTo increase clarity of bass guitar sounds, the kick drum is cut at -6dB, Q=1.4 at a frequency of 50Hz. In rock and pop genre, bass guitar and kick drum should be properly mixed. This will increase the punch and overall clarity of your bass frequencies (which a combination of kick drums and bass guitar.)
https://www.audiorecording.me/kick-drum-eq-settings-and-compression.htmlSo in this case we'll slightly reduce the volume of the bass when the kick drum occurs. Here's some more tips for mixing bass and kick if you need help in that area. Some producers in specific genres, like EDM, use sidechain compression to make the music quot;pump,quot; meaning the bass will breath in and out (since the kick drum is usually quot;four to
https://ledgernote.com/columns/mixing-mastering/sidechain-compression/Compression : With claps, same as with kicks, snares and other drums , we set the attack time of the compressor to occur right after the attack time of the clap to enhance the punch of the sound.This is often somewhere between 6 and 20 milliseconds. The release time can be short, somewhere between 20 and 100 milliseconds often sounds great.
https://heroic.academy/how-to-mix-music-part-4-mixing-drums-mixing-bass/StudyBass >gear >bass effects >bass compressor settings. Compressors usually have an adjustable threshold setting. The compression threshold is the volume level (gain) at which the compression effect is engaged. Any signal passing through the compressor which is louder than the threshold setting will be compressed.
You’ll probably want your bass and kick to play at the same time at least sometimes—they often sound really good together. The idea behind sidechain compression is that you briefly lower the volume of your bass part whenever the kick drum comes in.
Basic Compressor Settings Application Attack Release Ratio Vocals Medium-Fast Slow-Medium 2:1 - 4:1 Electric Guitar Fast Slow 4:1+ Acoustic Guitar Medium Medium 2:1 - 4:1 Drums Fast Fast 2:1- 4:1 3 more rows ...
Here’s how you can set up a compressor for this purpose, assuming for the moment the simplest scenario, in which I’m dealing with a single ‘instrument’, either an acoustic drum recorded live, or some kind of programmed electronic sound. First, dial in attack and release settings of around 1 and 100 ms respectively, and choose a ratio of, say, 3:1.
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