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LAST UPDATED: 24 Oct, 2022
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A third compression option is to be very conservative on the drum bus and use parallel compression to make them more powerful. It’s an easy way to get the best of both worlds: a steady and dynamic drum group with some powerful compression blended underneath. Get More Drum Mixing Techniques Inside the Drum Mix Toolkit
https://www.audio-issues.com/music-mixing/how-to-make-your-drums-more-powerful-with-multi-band-compression/Step Two: Drum Bus . Compression and saturation are two ways to help all the elements of a drum bus congeal together. TiCo can do this in one shot. First, we group all of our drum sounds together. We’re using loops from Splice’s House Nation pack, including ‘hn_top125_romp.wav’, ‘hn_prc125_styles.wav’, and ‘hn_prc125_tribez.wav
https://www.attackmagazine.com/technique/tutorials/adding-compression-and-colour-with-mathew-lanes-tico/1. Try slapping a reverb directly on the drum bus before your compressor . This has to be a joke, right? There’s no way I’d seriously recommend this to you, right? Well, let your ears be the judge. The first example is the dry drums you heard before, with a little compression on the drum bus .
https://www.izotope.com/en/learn/9-tips-for-using-reverb-with-drums.htmlSomewhere around 2:1 to 4:1 can often be very effective for subtle processing. Heavier compression and limiting may be best left for the overall mix (if at all). The second approach would be to go in with all guns blazing and deliberately squash the hell out of the drums to create an extreme effect. This typically works best on sparse rhythmic
https://www.attackmagazine.com/technique/tutorials/ten-tips-better-drums/Step Two: Drum Bus . Compression and saturation are two ways to help all the elements of a drum bus congeal together. TiCo can do this in one shot. First, we group all of our drum sounds together. We’re using loops from Splice’s House Nation pack, including ‘hn_top125_romp.wav’, ‘hn_prc125_styles.wav’, and ‘hn_prc125_tribez.wav
https://www.attackmagazine.com/technique/tutorials/adding-compression-and-colour-with-mathew-lanes-tico/Use a VCA compressor to tame peaks on your drum bus and other percussive elements on individual tracks in your mix. Use a longer release time to smooth out the signal if it becomes too harsh. Notable compressors in this category are the SSL G-Series Console Bus Compressor and the DBX 160.
The classic punch and color make it one of the best choices in mix bus compression. It’s originally built for drum and percussion compression and limiting as it has a quick attack and release times. But with time people used it in the mix bus channel too. And amazingly it delivers the great sound.
Whereas drum bus compression is used to create a sense of uniformity amongst all drum tracks, parallel compression is used to squash the signal for a lack of a better term, and then amplify the lower-level aspects of the signal. Parallel compression can be used in tandem with bus compression to improve the sound of drums.
Hard-knee mode is perfect for individual tracks like kick and snare, while OverEasy mode works well for subtle glue on the drum bus. The API 2500 is more kitted-out than Batman’s utility belt. This versatile VCA compressor can be configured to deliver clean, neutral compression or punchy, pumping insanity.
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