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LAST UPDATED: 24 Oct, 2022
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In future installments of this series we’ll be looking at things like parallel compression , how to ‘slam’ your compressor, limiting vs compression and buss compression and multi-band processing. Stay tuned as we dig deeper and progress onto the more advanced aspects of compression .
https://www.plugin-alliance.com/en/blog/blogpost/items/intro-to-dyanmics-compression-mo-volans.htmlDespite many advances in hearing-aid signal processing, compression limiting and peak clipping are still used. To date, perceptual studies have been conducted only with adults. The current study was designed to investigate the clarity of peak-clipped and compressed speech for both adults and children. Subjects were 30 normal-hearing and 30 hearing ...
https://asa.scitation.org/doi/10.1121/1.424629Compression vs. Limiting July 14, 2013 July 14, 2013 Dr. AIX 2 Comments Design w Sound, Kent Poon, limiting . Here’s an interesting topic that came to mind the other day. It was prompted by the “tech notes” document associated with the free HD download from Kent Poon of Design w Sound, an audiophile producer/engineer based in Hong Kong
https://www.realhd-audio.com/?p=1203In recorded and live music, compression parameters may be adjusted to change the way they affect sounds. Compression and limiting are identical in process but different in degree and perceived effect. A limiter is a compressor with a high ratio and, generally, a short attack time .
A higher ratio equals a greater amount of compression. Once you start entering a ratio of 10:1, this is typically considered as ‘limiting’. Brick wall limiting cranks the ratio even harder, along with an even faster attack time for that ‘choked’/’pumping’ sound.
The answer is that a limiter is just a compressor with a very high ratio. Typically they have very fast attack and release times, too. (If you’re not quite clear on exactly what a compressor is or how best to use one, read my post on Using Compression first.) So, limiting is a pretty aggressive form of compression.
Downward compression reduces the volume of loud sounds above a certain threshold. The quiet sounds below the threshold remain unaffected. This is the most common type of compressor. A limiter can be thought of as an extreme form of downward compression as it compresses the sounds over the threshold especially hard.
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