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LAST UPDATED: 13 Nov, 2022
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Compressor DAW Plugin and Settings for Bass . The first plugin you’ll want to drag onto your bass track is a compressor . The reason for this is that you want to compress the initial signal coming into your studio before altering any of the frequencies or adding effects. You want to make sure that your bass lines are evened out so that there
https://metalmastermind.com/bass-tone-daw-plugins/Vactrol opto-isolator which provides a very smooth compression , retaining the attack characteristics of the input signal. Where to place the Bass Comp: The Bass Comp should be placed either as the first pedal in your chain or very close to first (e.g. a clean boost or tuner could effectively be placed in front of the Bass Comp).
http://www.diamondpedals.com/wp-content/uploads/Bass-Comp-manual-v1.0.pdfwhat brings sustain with a compressor is: release timing + makeup gain. time the release to the space between notes as a start, then try a little faster and a little slower and see what happens. you want the compressor to be squashing the dynamic range, releasing somewhat close to the note decay, and you bring up the level with makeup gain. the net result is the decaying signal ...
https://www.reddit.com/r/audioengineering/comments/f2me58/what_compressor_settings_to_get_lots_of_sustain/The bass control on an amplifier adjusts the low-end frequencies played through the amp. Having a high bass setting is common in metal and heavier genres of music, and creates a “boomy” quality to provide depth and fullness to the tone. However, having the bass setting too high can cause it to sound a bit muddy in some cases. Reverb
https://prosoundhq.com/fender-amp-settings-and-controls/StudyBass >gear >bass effects >bass compressor settings. Compressors usually have an adjustable threshold setting. The compression threshold is the volume level (gain) at which the compression effect is engaged. Any signal passing through the compressor which is louder than the threshold setting will be compressed.
Great bass compression settings, along with other considerations we'll mention, are the difference between a solid, full, and thick bass with great harmonics and attack, versus one that's either weak and thin or boomy and muddy. There's not a lot of in-between when it comes to the low-end.
Too much boost in make-up gain due to high compression raises the noise floor, however, which can make a compressor hissy or noisy. Beware! Multi-Band is my favourite type of compression. When I first started playing bass, compressors were just what’s known as full-band.
Now the compressor is detecting the signal from that bus rather than the signal from the bass track—but the actual compression will still be applied to the bass. Start with the compressor with a fast attack (10 ms or less), fast release (50 ms or so), and pretty large ratio, say 5:1 or so.
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